There are three parts, the top two moving in parallel (interval of a tenth). Bars 5–10 are homophonic, with all voices coinciding rhythmically.Bars 11–20 are polyphonic. The first four bars are monophonic, with both hands performing the same melody an octave apart. An example is the Scherzo from Schubert’s piano sonata in B major, D575. Many classical pieces feature different kinds of texture within a short space of time. Silence - No sound at all or the absence of intended sound.Heterophonic - Two or more voices simultaneously performing variations of the same melody.May be considered a condition of homophony or distinguished from it. Homorhythmic - Multiple voices with similar rhythmic material in all parts.HS and RS are often combined, thus labeled HRS. Homophonic textures usually contain only one PM. Characteristic texture of the Classical period and continued to predominate in Romantic music while in the 20th century, 'popular music is nearly all homophonic,' and, 'much of jazz is also' though, 'the simultaneous improvisations of some jazz musicians creates a true polyphony'. If all the parts have much the same rhythm, the homophonic texture can also be described as homorhythmic. Multiple voices of which one, the melody, stands out prominently and the others form a background of harmonic accompaniment. Homophonic - The most common texture in Western music: melody and accompaniment.Polyphonic textures may contain several PMs. Characteristic texture of the Renaissance music, also prevalent during the Baroque period. Polyphonic or Counterpoint or Contrapuntal - Multiple melodic voices which are to a considerable extent independent from or in imitation with one another.All pedal tone notes are consonant except for the last three of the first measure. 6 in D minor, BWV 851, from The Well-Tempered Clavier, Book I, mm. It is generally considered to be a type of polyphony. Pedal tones or ostinati would be an example of a SS. Biphonic - Two distinct lines, the lower sustaining a drone (constant pitch) while the other line creates a more elaborate melody above it.Monophonic - Monophonic texture includes a single melodic line with no accompaniment.PSMs often double or parallel the PM they support.In musical terms, particularly in the fields of music history and music analysis, some common terms for different types of texture are: The types categorized by number and relationship of parts are analyzed and determined through the labeling of primary textural elements: primary melody (PM), secondary melody (SM), parallel supporting melody (PSM), static support (SS), harmonic support (HS), rhythmic support (RS), and harmonic and rhythmic support (HRS). A piece's texture may be changed by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tempo, and rhythms used. The thickness varies from light to thick. The thickness also is changed by the amount and the richness of the instruments playing the piece. One of these layers could be a string section or another brass. For example, a thick texture contains many 'layers' of instruments. The texture is often described in regard to the density, or thickness, and range, or width, between lowest and highest pitches, in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices. In music, texture is how the tempo, melodic, and harmonic materials are combined in a musical composition, determining the overall quality of the sound in a piece.

Polyphonic texture example